Abstract

This panel offers a critical reflection of the historical genesis, transformation, and problématique of the fragility of the term ‘humanity’ in the transatlantic world with a particular eye on musical representation. Moving the focus from political actors, legal experts, and activists to cultural representation, we wish to examine the notion of ‘humanity’ in the musical international arena, including Amnesty International Festivals, human rights galas, as well as UNESCO concerts.

Notions of “humanity,” we argue, frequently inspired networks of musical actors and practices. Its meanings evolved and were contested in tune with sociopolitical processes and institutions such as racism, nationalism, illiberalism, colonial expansionism and authoritarian regimes, as well as supranational cooperation (U.N., UNESCO), transnational activism, and international cultural events. As a result, understandings of ‘humanity’ have always been fragile and disputed, morphed and clashed remarkably. Music and musical activism have highlighted these tensions in non-textual ways.

In tandem, the panelists wish to show the extent to which cultural actors developed their own set of visions of ‘humanity,’ ranging from a much-contested vision at U.N. human rights concerts since 1949 to an appeal for international action, sanction, and relief for a region in crisis. In doing so, the panel seeks to deepen the dialogue between international history and cultural history.

About the event

• A ticket for the Deutscher Historikertag is required and can be booked here
• Language: English
• Host: Verband der Historiker und Historikerinnen Deutschlands e.V.